Years ago, Nora Hayes vanished inside an abandoned house in the Oregon woods.

Elias Ward was there the night it happened. He remembers hearing Nora’s voice behind a locked closet door. He remembers her screaming for him to run.

Then nothing.

Now the house is being opened again.

When Nora’s sister, Clara, discovers that the closet door, sealed for years and impossible to force has opened on its own, Elias is drawn back to the place he has spent his life trying to escape.

But the Hollow remembers him.

Voices move behind the walls. Familiar footsteps cross empty rooms. Something speaks in Nora’s voice, calling from places no one should be able to reach.

And whatever took her may never have left.

As the Veil begins to thin, Elias and Clara must uncover what happened that night before the house closes around them again.

The Hollow is a supernatural horror story about grief, memory, and the terrible things that learn how to sound like someone you love.

Riven Hale walked into Bitter Creek and came back alive.

At least, that is what everyone believed.

Since the night at the abandoned station, something inside him has begun to change. His senses are sharper. The forest calls to him. Hours disappear without explanation, and when Riven wakes, there is blood in the air and no memory of how he got there.

Then people begin to vanish.

Something is hunting in the woods around Bitter Creek. Something fast, powerful, and almost human. As the full moon draws closer, Riven is forced to confront the possibility that the creature everyone fears is not stalking him.

It is becoming him.

But the darkness in Bitter Creek is older than any curse, and what has touched Riven is tied to a wound in the Veil that was never meant to open.

Shadows in the Moonlight is a dark supernatural fantasy about transformation, hunger, and the terrifying question of whether becoming a monster means you have to choose to be one.

Prohibition made men rich. The Devil’s Still makes them something else.

When Vincent Moretti acquires an abandoned brewery with an old still hidden beneath it, he sees opportunity where others would see ruin. The liquor it produces should be raw, harsh and worthless. Instead, it comes out impossibly smooth. Aged without a barrel. Rich without time. Better than anything Vincent could sell through the speakeasies of the city.

And people cannot get enough of it.

But the more they drink, the more something begins to change. Tempers sharpen. Violence comes easier. Shadows linger where no one is standing, and men who should be dead do not always stay gone.

The still is not merely making whiskey. It is drawing something through the Veil.

As Vincent pushes production higher and ignores every warning, his younger brother Anthony begins to understand the truth: whatever is feeding the still is growing stronger with every bottle they sell. And by the time Vincent realizes what he has invited into his empire, stopping production may no longer be enough.

The Devil’s Still is a Prohibition-era crime horror story about greed, corruption, and the terrible things people are willing to unleash when evil becomes profitable.